Over the past year, we’ve been working with the Institute of Irish Studies at Liverpool University on the Annual Seamus Heaney Lecture.
The idea behind this new collaboration is that the lecture will reflect the values of Seamus Heaney and his ability to communicate and connect with a wide audience, and that it will foster engagement with some the ideas that preoccupied him throughout his life and informed much of his writing - the power of language, and the place of the artist in society, among others.
The inaugural lecture was given on October 17th, 2019, by Professor Louise Richardson, political scientist and Vice-Chancellor of the University of Oxford, who knew Seamus Heaney stretching back to the 1980s, when both were at Harvard, he as a teacher, she as a post-graduate student. The lecture was preceded by a reading of thee poems by the celebrated actor, writer and director, Adrian Dunbar.
We’ll be announcing next year’s lecturer in the coming months - in the meantime, you can watch the inaugural lecture below - it was illuminating, erudite and full of insight and memories - a memorable evening. Our thanks to all involved!
To mark the twentieth anniversary of EU’s Day of Welcomes, a short film of ‘Beacons at Bealtaine’, the poem Seamus Heaney wrote to celebrate the historic occasion
On the eve of what would have been Seamus’s 85th birthday, we are delighted to share news of a new venture we have been working on with our friends at English PEN and Irish PEN - the PEN Heaney Prize.
We are delighted to announce the Heaney-Miłosz Residency, a brand new partnership with the Irish Embassy in Poland and Kraków Festival Office, giving a writer the opportunity to spend time in Kraków, in the Czesław Miłosz apartment
With this unprepossessing and typically modest covering letter from 1985, Seamus Heaney submitted a first draft of his renowned poem ‘From the Republic of Conscience’ to Mary Fogarty, then head of the Irish branch of Amnesty International.
The National Library of Ireland presents an online event - available for seven days from Tuesday 8 December 2020 - celebrating 30 years since the first performance of Seamus Heaney’s play, The Cure at Troy, produced by the Field Day Theatre Company in 1990.
This autumn saw the publication of historian and biographer Roy Foster’s new study, On Seamus Heaney, part of Princeton University Press’s Writers on Writers series.
It has been a strange, uneasy summer - to put it mildly - but we’ve been lucky to have some good news to share at the end of it.
Over the past year, we’ve been working with the Dublin-based fine art print studio, Stoney Road Press, on a very special project.
Since the beginning of the current coronavirus crisis, people have been turning to poetry to express their bewilderment, to seek comfort, to put words to a situation that at times feels beyond comprehension.
Adam Low is the director of the recent BBC2 Arena documentary, Seamus Heaney and the Music of What Happens. Here he describes meeting the Heaney family for the first time and how he went about making this very personal and intimate documentary.