For the past three months (93 days, to be precise) we’ve been counting down on Twitter to the publication of 100 Poems by Seamus Heaney, which will be published a week from today, on June 28. This new selection of work – spanning all twelve of Heaney’s original collections – has been specially chosen by the poet’s immediate family, and includes his best-known and most celebrated poems (like ‘Digging’ and ‘Mid-Term Break’) and – hopefully! – a few surprises, too. It’s a beautiful volume, inside and out, all thanks to publishers Faber and Faber.
To celebrate publication, The Print Room theatre at The Coronet, in London's Notting Hill Gate, will host a very special reading on Tuesday 10 July, at 7pm. The evening with be introduced by Faber’s poetry editor, Matthew Hollis, with readings by the great Irish novelist Edna O’Brien (a longtime friend of the poet), the poets Nick Laird and Daljit Nagra, and Seamus Heaney’s daughter, Catherine.
It promises to be a memorable and moving evening, as we listen once again to some of Heaney’s best-loved works in The Coronet’s wonderfully atmospheric setting.
Tickets and further information available from the Print Room website – click here to book. And, to whet your appetite, here's a recording of Seamus Heaney reading his classic poem, 'Postscript'.
To mark the twentieth anniversary of EU’s Day of Welcomes, a short film of ‘Beacons at Bealtaine’, the poem Seamus Heaney wrote to celebrate the historic occasion
On the eve of what would have been Seamus’s 85th birthday, we are delighted to share news of a new venture we have been working on with our friends at English PEN and Irish PEN - the PEN Heaney Prize.
We are delighted to announce the Heaney-Miłosz Residency, a brand new partnership with the Irish Embassy in Poland and Kraków Festival Office, giving a writer the opportunity to spend time in Kraków, in the Czesław Miłosz apartment
With this unprepossessing and typically modest covering letter from 1985, Seamus Heaney submitted a first draft of his renowned poem ‘From the Republic of Conscience’ to Mary Fogarty, then head of the Irish branch of Amnesty International.
The National Library of Ireland presents an online event - available for seven days from Tuesday 8 December 2020 - celebrating 30 years since the first performance of Seamus Heaney’s play, The Cure at Troy, produced by the Field Day Theatre Company in 1990.
This autumn saw the publication of historian and biographer Roy Foster’s new study, On Seamus Heaney, part of Princeton University Press’s Writers on Writers series.
It has been a strange, uneasy summer - to put it mildly - but we’ve been lucky to have some good news to share at the end of it.
Over the past year, we’ve been working with the Dublin-based fine art print studio, Stoney Road Press, on a very special project.
Since the beginning of the current coronavirus crisis, people have been turning to poetry to express their bewilderment, to seek comfort, to put words to a situation that at times feels beyond comprehension.
Adam Low is the director of the recent BBC2 Arena documentary, Seamus Heaney and the Music of What Happens. Here he describes meeting the Heaney family for the first time and how he went about making this very personal and intimate documentary.