Back in April of last year, at the unveiling of an Aubusson tapestry based on Seamus Heaney’s poems ‘Lightenings viii’ (which Iggy McGovern wrote about in our last post), we announced the donation of Seamus Heaney’s poetry books to Poetry Ireland.
At that event, Catherine Heaney described how her father would sit in his study, surrounded by his poetry books. These were, she said, “the volumes, from the classics to his contemporaries, that he would read, consult and work with in his day-to-day writing life. This working library was invaluable to him – it formed him and informed him – and we, his family, wanted to find a long-term home for it. When my mother came up with the idea of donating it to Poetry Ireland, we all knew instantly that it was the right decision.”
Fast forward nine months, and the donation of the library now stands at the heart of plans to create a new centre, at Poetry Ireland’s Parnell Square home, as part of a larger regeneration of the whole area, along with nearby neighbours The Hugh Lane Gallery and The Gate Theatre. It’s a tremendously exciting project – outlined in this short film featuring, among others, Joe Biden, Paula Meehan, Paul Muldoon and Marie Heaney – and one that we are honoured and delighted to be part of. More details will be announced in the coming months, but in the meantime, listening to architect Niall McCullough, we were reminded of a line of SH's which feels appropriate to the moment:
"The books stand open and the gates unbarred."
To mark the twentieth anniversary of EU’s Day of Welcomes, a short film of ‘Beacons at Bealtaine’, the poem Seamus Heaney wrote to celebrate the historic occasion
On the eve of what would have been Seamus’s 85th birthday, we are delighted to share news of a new venture we have been working on with our friends at English PEN and Irish PEN - the PEN Heaney Prize.
We are delighted to announce the Heaney-Miłosz Residency, a brand new partnership with the Irish Embassy in Poland and Kraków Festival Office, giving a writer the opportunity to spend time in Kraków, in the Czesław Miłosz apartment
With this unprepossessing and typically modest covering letter from 1985, Seamus Heaney submitted a first draft of his renowned poem ‘From the Republic of Conscience’ to Mary Fogarty, then head of the Irish branch of Amnesty International.
The National Library of Ireland presents an online event - available for seven days from Tuesday 8 December 2020 - celebrating 30 years since the first performance of Seamus Heaney’s play, The Cure at Troy, produced by the Field Day Theatre Company in 1990.
This autumn saw the publication of historian and biographer Roy Foster’s new study, On Seamus Heaney, part of Princeton University Press’s Writers on Writers series.
It has been a strange, uneasy summer - to put it mildly - but we’ve been lucky to have some good news to share at the end of it.
Over the past year, we’ve been working with the Dublin-based fine art print studio, Stoney Road Press, on a very special project.
Since the beginning of the current coronavirus crisis, people have been turning to poetry to express their bewilderment, to seek comfort, to put words to a situation that at times feels beyond comprehension.
Adam Low is the director of the recent BBC2 Arena documentary, Seamus Heaney and the Music of What Happens. Here he describes meeting the Heaney family for the first time and how he went about making this very personal and intimate documentary.